I am a member of the Student Creative Arts Council and we are currently looking for submissions for the Spring
Arts Festival that will take place in the Granoff Center on April 27th
and 28th. After seeing your work on display at the Granoff, I thought
you might be interested.
The Student Creative Arts Council is looking for submissions of 2D, 3D,
music, video, and/or performance pieces to be performed, shown or
created at the annual Spring Arts Festival
The Spring Arts Festival is a celebration of the
enormous creative efforts and capabilities of the Brown University
Community. The two-day event will feature installations, performances,
screenings, and lectures, and aims to promote the diverse forms of art
generated and inspired here on campus.
The deadline for submissions is March 13th, 2012.
To submit, please send an e-mail to studentcreativearts@gmail.com with the following information:
1. Name/Year:
2. Project Description:
3. Medium:
4. Dimensions:
5. Facility/Tech/Installation needs:
6. Photos/Videos of the project (if possible)
Best,
Elizabeth Woodward
Thursday, March 15, 2012
Monday, March 12, 2012
Keats' + his referents
William Shakespeare, April 26, 1564-April 23, 1616 |
John Milton, December 9, 1608-November 8, 1674
|
Robert Burns, January 25, 1759-July 21, 1796
William Hazlitt, April 10, 1778-September 18, 1830 |
Gordon, Lord Byron, January 22, 1788-April 19, 1824
|
Sunday, March 11, 2012
Saturday, March 10, 2012
Mysteries of the Vernacular
http://www.mysteriesofvernacular.com/
Not strictly poetry, but click on the link if you are someone who loves words and etymology!
Jessica Orek is usually a documentary filmmaker, but she decided to take a break and create a series of short animations (26, one for each English letter) that explore the history and mystery of the vernacular. There's only one episode so far, but it's really great so keep an eye out for updates to the project!
Thursday, March 8, 2012
from A Book of Hours
Beside a stream a man
is reading. He sits against a
tree, one knee drawn up as support
for his book. Next to him a
long slender pole is propped; a line dangles into the water.
The open pages of the
book show an illustrated, gilded scene: a tiny figure by a stream, fields
giving onto a town beyond. In the
fields, men and women bend over curved bundles of wheat. Their scythes make dark punctuations of
the harvest.
The man smiles, as if
pleased with what he sees. Then he
yawns and looks over at
the pole. He shifts his gaze
a bit and considers the prospect of the town in the distance:
the familiar spires and gables.
He surveys the fields, before returning to the book.
A shadowiness comes
over the surrounding landscape, as if a cloud were passing in front of the
sun. It is the man’s hand, about
to turn the page.
Barry Yourgrau
Tuesday, March 6, 2012
cross wise writing
Anne Warren Weston, Boston Public Library, look here too |
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